Público Brasil — Derlon

One of the most comprehensive features on the exhibition, written by Vicente Nunes, explores Derlon's first solo exhibition in Portugal, 'What Happens Every Day Also Wants to Be a Miracle'.

The article examines Derlon's artistic trajectory, his relationship with popular Brazilian visual culture, and the influences of masters such as J. Borges and Gilvan Samico.

It also discusses the exhibition's curatorial proposal by Filipe Campello and the ways in which Derlon's practice connects Brazilian popular imagery, contemporary art and the cultural memory of Pernambuco.